29th July 2016 | for Creatives | novel writing, literary fiction, writing, genre, Donald Maass, literary vs. commercial |
"Literary/commercial fiction is a forecast of where fiction is heading in the 21st century. It's an approach to novel writing that eschews both snobby pretense and genre dogma. It is personal, impassioned, and even downright quirky, yet through its rebellious refusal to please, it paradoxically achieves universal appeal. It panders to no one. It speaks to everyone."
"Perhaps in part because they have fewer rules to follow, they must rely more on universal techniques and stay truer to their inner compasses. Without genre crutches to lean on they must walk the walk of true novelists. You can call them genre-bending if you like, but I call them genre-transcending. While they may establish a new category, they are genuine fiction masters."
"Commercial fiction can have literary qualities ... genre fiction can include good storytelling, and literary fiction can have a plot."
"High impact comes from a combination of two factors: great stories and beautiful writing. High-impact novels utilize what is best about literary and commercial fiction. They embrace a dichotomy. They do everything well and as a result sell astoundingly. The publishing industry has a convenient term for these wonder books: literary/commercial fiction."
"Out-of-category authors have begun a journey that I wish all novelists would take: a journey away from what is comfortable and convention-bound to fiction that is free, courageous, inventive, and influential because it's utterly unique. It's a place where novelists don't obey genre rules, but summon them when they're useful and bend them to their own purposes."
"In our new century, literary fiction is selling the way that commercial novels are supposed to. ... Certain commercial novelists, on the other hand, are celebrated for their literary quality and simultaneously sell far better than most in their category."
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